Review: The King and I (1956)
Genre: Musical / Historical Drama / Romance
Lavish, heartfelt, and politically complicated, The King and I (1956) is one of the golden age musicals that continues to charm audiences with its iconic songs, opulent set design, and unforgettable performances. Directed by Walter Lang and based on the Rodgers and Hammerstein Broadway musical (itself adapted from Margaret Landon’s novel), the film tells the story of Anna Leonowens, a British schoolteacher hired to teach the children of the King of Siam in the 1860s.
Deborah Kerr stars as Anna, a strong-willed widow who meets her match in Yul Brynner’s commanding and charismatic King. Their culture clash—and eventual mutual respect—forms the emotional and thematic heart of the story. Brynner’s performance, which earned him an Academy Award for Best Actor, is electrifying: equal parts fierce ruler and vulnerable man facing a rapidly modernizing world.
The film is rich with memorable Rodgers and Hammerstein songs like “Getting to Know You,” “Shall We Dance?” and “Hello, Young Lovers.” These musical numbers don’t just provide entertainment—they deepen character relationships and reveal emotional truths. The scene where Anna and the King dance together, whirling in a grand ballroom, is among the most iconic in classic cinema.
While its artistry is undeniable, The King and I is also viewed today through a more critical lens for its portrayal of Eastern culture through a Western gaze. Some aspects now feel dated or oversimplified, yet the film’s central themes—respect, tradition, change, and understanding across cultures—still resonate.
Visually sumptuous and emotionally stirring, The King and I remains a cornerstone of Hollywood’s golden musicals.
Have you watched this timeless classic? What did you think of Anna and the King’s complex relationship? Share your thoughts in the comments below!
